Discography & Media

Recordings and videos by Takahiko Sakamaki – the Trio Alterna album, performance videos, and recordings and courses for PTNA (All Japan Piano Teachers Association).

Discography

Trio Alterna – Beethoven Piano Trios (GENUIN)

2023

Beethoven: Piano Trios
op. 11 & op. 70 nos. 1 and 2

Trio Alterna
Anna Dmitrieva (violin) · Amarilis Dueñas Castán (cello) · Takahiko Sakamaki (fortepiano)

GENUIN classics · GEN 23806
Released 5 May 2023
Fortepiano: Conrad Graf, Vienna 1824
In cooperation with the Beethoven-Haus Bonn and WDR

Buy / listen at GENUIN

Tracklist

  1. Piano Trio in B-flat major, Op. 11 “Gassenhauer”
  2. I. Allegro con brio
  3. II. Adagio
  4. III. Tema „Pria ch’io l’impegno“: Allegretto (variations)
  5. Piano Trio in D major, Op. 70 No. 1 “Ghost”
  6. IV. Allegro vivace e con brio
  7. V. Largo assai ed espressivo
  8. VI. Presto
  9. Piano Trio in E-flat major, Op. 70 No. 2
  10. VII. Poco sostenuto – Allegro ma non troppo
  11. VIII. Allegretto
  12. IX. Allegretto ma non troppo
  13. X. Finale. Allegro

Press

“[…] the Cologne-based Trio Alterna emphatically underlines its competence in Beethoven.”

Fono Forum, 10/2023

“The trio offers an overall effective and fresh approach to the trios.”

klassik.com

Further reviews in Classica (France), Crescendo Magazine (Belgium) and Pizzicato (Luxembourg).

Album trailer (GENUIN)

Performance videos

Trio Alterna plays Fanny Hensel (Schloss Weißenbrunn, 2025)
J. Brahms: Piano Trio No. 1 in B major, Op. 8 – I. Allegro con brio (Trio Alterna, period instruments)
C. P. E. Bach: Fantasia in F major, Wq. 59/5
F. Chopin: Nocturne No. 17 in B major, Op. 62 No. 1

YouTube channel

PTNA (Japan)

PTNA Piano Encyclopedia – recordings of competition pieces (2026)

Recordings of the Baroque set pieces of the PTNA Piano Competition.

J. S. Bach: Minuet I from a Suite
Witthauer: Gavotte
Neefe: Canzonetta

E-learning courses

Online courses for piano teachers on reading and performing Baroque scores without performance markings (digests, in Japanese).

How to read and play Baroque works – analysis as the key to interpretation
Beyond the “white score” – the infinite possibilities of the Baroque